напишите мне пожалуйста коротко и ясно содержание этого текста: the reading public. Срочно надо плиииз((

London? — Yes, I (to be) there several times. — When you (to be) there last? — I (to be) there last a month ago. 2. You (to see) Mary this week? — No, I ... not. But I (to see) her last month. 3. When you (to enter) the Nautical College? — I (to enter) it last autumn. 4. The ice-breaker Sibir just (to arrive) at the pilot station. 5. We (to learn) about our next voyage lately. — But I (to know) about your coming voyage (предстоящий рейс) three days ago. 6. When you (to make) your first voyage? — I (to make) it four months ago, but my brother just (to put) to sea. 7. The sailors already (to launch) the life-boat. — When they (to lift) life-boat No 2? — They (to lift) it 10 minutes ago.

I love all kinds animals
Dogs and cats and rabbits
I love all kinds animals
Despite their little habits
If i had tons of money
D you know What I would do?
I would buy lot of animals
And have my own zoo
But they wouldn't be in cages
They would be free to run around
And there's one thing they would feel
And that is safe and sound
Напишите мне пожалуйста русскими буквами на английском языке ( как читаем(

The transport system should be environmental friendly
Engineers developing the Japanese transport system must take into consideration not only customer needs but also pay more attention than be-fore to the environment. Nowadays it is impossible to trolling the im-pact of transport on the environment or on efforts too ease the noise level and other forms of pollution produced by transport. To reduce the detrimental impact on the environment, essentially new designs must be created for all basic means of transport: cars, trains, aircraft and ships.
Another task is to estimate the long-term efficiency of the improve-ments carried out. Goods, information, people – all move by different means of transport ways. It is natural to suppose that great freedom of
movement will yield greater economic profit where quality has been improved.

С 1900 года серьезная музыка претерпела быстрые изменения. Клод Дебюсси и Морис Равель стремились сделать музыку больше более похожей на живопись, находя новые "цвета" и звуки в оркестре. Ранние композиции Игоря Стравинского были настолько полны незнакомых тембров, ритмов и гармоний, что вызвали большие споры на премьерах.
Дмитрий Шостакович и Альфред Шнитке отошли от традиционного звукоряда и гармоний и сочинили новый музыкальный язык. Венгерка Бела Барток и американец Джордж Гершвин, композитор Бродвейских мюзиклов, находили темы в фольклоре и использовали их новыми и удивительными способами.