переведите пожалуйста: Back once again for the renegade master

What do the teenagers in your country like wearing? Where do they go shopping for clothes? How much money do they spend on clothes?

1, If your belt is too tight,you should ....it.
a) lengthen b) loose c) loosen d)release
2. I gave her .....stockings for her birthday.
a) a b)a couple of c) any d)a pair of
3. George is wearing the blue and red .... tie.
a) designed b)iined c)pictured d) striped
4.I gave Mary a black silk scarf with pink....
a)balls b) marks c) sports d)stains
5.. He left his .... at the station and went sightseeing.
a)handbag b) purse c)sack d)suitcase
6.Bright colours don't .....her pale skin
a)agree b) fit c)match d)suit

1.Clean the room.2 Do your hair.3. Have a good rest.4.Make coffee.5.Pack your things.6.Close the door.7.Give up smoking.8. Tell me the truth.9 Buy a new coat.10. Finish the work.11.Have breakfast.12.Invite him to come.

starts and ends with coffee. For the Italian, a
cappuccino or an espresso after every meal is a
must. Italians love to spend time talking with
friends over a cappuccino. Topics range from
family and football to religion and politics.

#3. Working in Order
One of the biggest time wasters that a new tattoo artist can face is having to redo a stencil. This can happen because the original placement wasn’t correct, because it didn’t transfer fully, or—perhaps most frustratingly—because the artist himself has smeared or rubbed the transfer off of the skin. There are a few tattooing techniques that can remedy these situations.
In the case of smearing and rubbing, a common approach is to start outlining at one corner and work your way up and across to the other.
Generally speaking, it works best to start in the lower right-hand corner. Picture in your mind how your hand will be resting on the client’s skin, and you can see how working from top to bottom and right to left will keep that hand from dragging over parts of the design that haven’t yet been lined. Of course, if you are left-handed, it would make more sense to start at the bottom left corner of the design.
It’s impossible to always avoid smearing or rubbing a transferred design, but using this particular tattooing technique can definitely lessen the problem. Staying aware of what you’re doing will also help; if you’re thinking ahead, you’ll be able to avoid some complications. Remember that you’ll likely have to go back in and fill in the occasional line, and there’s no shame in that.
#4. Creating Smooth, Solid Lines
A major pitfall for the newbie tattoo artist is the inability to avoid knots, blowouts, and other signs that too much ink was quickly put into one spot. When this happens, the ink has nowhere to go and ends up spreading out under the skin, making a permanent mark that can ruin the overall design.
There are a few tattoo techniques you can employ in order to minimize or avoid creating these unsightly mistakes. First of all, make sure that your ink reservoir is full before you put the needle to the skin. This will allow you to run a line longer, without having to stop partway through and then pick back up, increasing your chance for a blowout or knot.
If you do need to stop partway through a line and then start again, try lightly lifting your needle toward the end of the first pass and then putting it back down lightly when tracing back over the spot and starting again. This gives the opportunity for the line to be as dark as the others but without the worry of putting down too much ink in one pass.
Another safeguarding tattooing technique is to make sure that the needle is already running before you press it to the skin, and to already have your hand starting the forward motion, too. This can help keep the needles from snagging or hanging up, which is another reason for knots and blowouts.
There is no shortage of hints, tattoo tips, and tattoo techniques that tattoo artists use to perfect their skills and hone their craft. Each professional you come across will likely have his or her own suggestions for how to make the process better, whether they’re offering advice on how to get sharper corners or thoughts on the best way to make your own needles.

now and then of tragedies; but in life it doth much mischief; sometimes like a siren, sometimes like a fury. You may observe that amongst all the great and worthy persons (whereof the memory remaineth, either ancient or recent) there is not one that hath been transported to the mad degree of love: which shows that great spirits and great business do keep out this weak passion. You must except nevertheless Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems (though rarely) that love can find entrance not only into an open heart, but also into a heart well fortified, if watch be not well kept. It is a poor saying of Epicurus, Satis magnum alter alteri theatrum sumus [Each is to another a theatre large enough]; as if man, made for the contemplation of heaven and all noble objects, should do nothing but kneel before a little idol, and make himself a subject, though not of the mouth (as beasts are), yet of the eye; which was given him for higher purposes. It is a strange thing to note the excess of this passion, and how it braves the nature and value of things, by this; that the speaking in a perpetual hyperbole is comely in nothing but in love. Neither is it merely in the phrase; for whereas it hath been well said that the arch-flatterer, with whom all the petty flatterers have intelligence, is a man’s self; certainly the lover is more. For there was never proud man thought so absurdly well of himself as the lover doth of the person loved; and therefore it was well said, That it is impossible to love and to be wise. Neither doth this weakness appear to others only, and not to the party loved; but to the loved most of all, except the love be reciproque. 1 For it is a true rule, that love is ever rewarded either with the reciproque or with an inward and secret contempt. By how much the more men ought to beware of this passion, which loseth not only other things, but itself! As for the other losses, the poet’s relation doth well figure them: that he that preferred Helena quitted the gifts of Juno and Pallas. For whosoever esteemeth too much of amorous affection quitteth both riches and wisdom. This passion hath his floods in very times of weakness; which are great prosperity and great adversity; though this latter hath been less observed: both which times kindle love, and make it more fervent, and therefore show it to be the child of folly. They do best, who if they cannot but admit love, yet make it keep quarter 2; and sever it wholly from their serious affairs and actions of life; for if it check 3 once with business, it troubleth men’s fortunes, and maketh men that they can no ways e true to their own ends. I know not how, but martial men are given to love: I think it is but as they are given to wine; for perils commonly ask to be paid in pleasures. There is in man’s nature a secret inclination and motion towards love of others, which if it be not spent upon some one or a few, doth naturally spread itself towards many, and maketh men become humane and charitable; as it is seen sometime in friars. Nuptial love maketh mankind; friendly love perfecteth it; but wanton love corrupteth and embaseth it.

May it lead where it promissed it would,

May the stars that gave ancient bearings

Be seen, still be understood.

Переведите, пожалуйста, вторую и третью строчку, только так, чтобы они имели смысл в этой строфе.